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7 Warning Signs of an Unprofitable Web Site 7 general mistakes which you should avoid to make your web business successful and not Unprofitable. 1. Selling To Everyone Means You Sell to No One If you do not target your offer, it will confuse your customers. People are not patient. In a recent ...
Behind the Files: History of MP3 Behind the Files: History of MP3by Gabriel NijmehIn just over a couple of years, the MP3 audio file format has caused a big stir and captured the minds and hard drives of millions of people worldwide. MP3, short for Moving Picture Experts Group, Audio ...
iPod Nano: "Halo Effect" Apple has a reputation for excellence with its line of iPod mp3 players. All of its players have proven to be of the utmost quality offering the best music playback, the most amount of music storage, the sleekest design, the ease of use, and all of these ...
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The more paranoid point at the music industry. It failed to co-opt the emerging peer-to-peer platforms (Napster) and to offer a viable digital assets management system with an equitable sharing of royalties. The results? A protracted legal battle and piracy run amok. "Publishers" - goes this creed - "are positioned to incorporate encryption and protection measures at the very inception of the digital publishing industry. They ought to learn the lesson."
But this view ignores a vital difference between sound and text. In music, what matter are the song or the musical piece. The medium (or carrier, or packing) is marginal and interchangeable. A CD, an audio cassette, or an MP3 player are all fine, as far as the consumer is concerned. The listener bases his or her purchasing decisions on sound quality and the faithfulness of reproduction of the listening experience (for instance, in a concert hall). This is a very narrow, rational, measurable and quantifiable criterion.
Not so with text.
Content is only one element of many of equal footing underlying the decision to purchase a specific text-"carrier" (medium). Various media encapsulating IDENTICAL text will still fare differently. Hence the failure of CD-ROMs and e-learning. People tend to consume content in other formats or media, even if it is fully available to them or even owned by them in one specific medium. People prefer to pay to listen to live lectures rather than read freely available online transcripts. Libraries buy print journals even when they have subscribed to the full text online versions of the very same publications. And consumers overwhelmingly prefer to purchase books in print rather than their e-versions.
This is partly a question of the slow demise of old habits. E-books have yet to develop the user-friendliness, platform-independence, portability, brows ability and many other attributes of this ingenious medium, the Gutenberg tome. But it also has to do with marketing psychology. Where text (or text equivalents, such as speech) is concerned, the medium is at least as important as the message. And this will hold true even when e-books catch up with their print brethren technologically.
There is no doubting that finally e-books will surpass print books as a medium and offer numerous options: hyperlinks within the e-book and without it - to web content, reference works, etc., embedded instant shopping and ordering links, divergent, user-interactive, decision driven plotlines, interaction with other e-books (using Bluetooth or another wireless standard), collaborative authoring, gaming and community activities, automatically or periodically updated content, ,multimedia capabilities, database, Favourites and History Maintenance (records of reading habits, shopping habits, interaction with other readers, plot related decisions and much more), automatic and embedded audio conversion and translation capabilities, full wireless piconetworking and scatternetworking capabilities and more.
The same textual content will be available in the future in various media. Ostensibly, consumers should gravitate to the feature-rich and much cheaper e-book. But they won't - because the medium is as important as the text message. It is not enough to own the same content, or to gain access to the same message. Ownership of the right medium does count. Print books offer connectivity within an historical context (tradition). E-books are cold and impersonal, alienated and detached. The printed word offers permanence. Digital text is ephemeral (as anyone whose writings perished in the recent dot.com bloodbath or Deja takeover by Google can attest). Printed volumes are a whole sensorium, a sensual experience - olfactory and tactile and visual. E-books are one dimensional in comparison. These are differences that cannot be overcome, not even with the advent of digital "ink" on digital "paper". They will keep the print book alive and publishers' revenues flowing.
People buy printed matter not merely because of its content. If this were true e-books will have won the day. Print books are a packaged experience, the substance of life. People buy the medium as often and as much as they buy the message it encapsulates. It is impossible to compete with this mistique. Safe in this knowledge, publishers should let go and impose on e-books "encryption" and "protection" levels as rigorous as they do on the their print books. The latter are here to stay alongside the former. With the proper pricing and a modicum of trust, e-books may even end up promoting the old and trusted print versions.
About The Author
Sam Vaknin is the author of "Malignant Self Love - Narcissism Revisited" and "After the Rain - How the West Lost the East". He is a columnist in "Central Europe Review", United Press International (UPI) and ebookweb.org and the editor of mental health and Central East Europe categories in The Open Directory, Suite101 and searcheurope.com. Until recently, he served as the Economic Advisor to the Government of Macedonia.
His web site: http://samvak.tripod.com
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Jill on Money: Real estate, munis, life insuranceCBS NewsDownload the podcast on iTunes Download the podcast on feedburner Download this week's show (MP3) The Facebook IPO hype morphed into a fiasco throughout the week, diverting attention away from more pressing issues. To understand the issues surrounding ...and more » |
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MP3 ToolkitPCWorld (blog)MP3 Toolkit is simple and it works, letting you convert audio files to a number of different types, merge multiple files into one, clip files for ringtones or the like, edit tags, rip files from CD, and record using a microphone.and more » |
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Creating a Custom iTunes Audiobook From Multiple MP3sAbout - News & IssuesRather than wasting time (and possibly money) on third-party software, you might find that the facility in iTunes to combine multiple MP3 files into one audiobook could be the perfect solution. Using this often overlooked feature enables you to create ...and more » |
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